'Comandada por Guilherme Isnard, Zero celebra 30 anos de Carne Humana em show' (in Portuguese).
^ Zero: entrevista com o vocalista Guilherme Isnard (in Portuguese). 'Zero: banda tocará dois primeiros álbuns na íntegra' (in Portuguese). 'Zero lança novo CD, Quinto Elemento' (in Portuguese). ^ Procura-se roqueiros dos anos 80 (in Portuguese). ^ Saiba por onde anda Guilherme Isnard, vocalista da banda ZERØ (in Portuguese). Inicialmente, o EP 30 Anos - O Musical foi lançado em 16 de outubro de 2013, em um kit juntamente com o DVD de mesmo nome, 8 9 contendo as canções 'Tantinho', 'Maravida', 'Fale um Pouco de Você' e 'Estou Apaixonado'. 6 Foi lançado em 8 de julho de 2014 pela Sony Music. Almanaque Anos 80: Lembranças e Curiosidades de uma Década Muito Divertida (in Portuguese). 30 Anos - O Musical é o primeiro extended play (EP) do cantor brasileiro Daniel. Dias de Luta: O Rock e o Brasil dos Anos 80 (in Portuguese). ^ Entrepistas – Interview with Guilherme Isnard, 2003 (in Portuguese). Dicionário Cravo Albin da Música Popular Brasileira. ^ 'Zero - Discografia' (in Portuguese). Jorge Pescara – bass guitar (2006–2017)ĭiscography Studio albums Year. João Paulo 'JP' Mendonça – keyboards (2000). Nelson Coelho – electric guitar (1983–1985). Alberto 'Beto' Birger – bass guitar (1983–1985). Fabio Golfetti – electric guitar (1983–1985). From this repertoire, the six musical works that correspond to this research are: Zamba para escuchar tu silencio (1993) for marimba and Ritual y su metáfora (1995) for marimba and percussion ensemble by Guillo Espel, Loncomeo de los niños (1997) for chamber music by Alejandro Lemos, A Tango for Gary (1999) for marimba by Saúl Cosentino, Tres piezas alrededor de la ciudad (1998) for marimba and percussion ensemble by Martín Liut and Buenos Aires 2 escenas (2003) for chamber music by Carlos Passeggi.In 2017 Isnard completely overhauled Zero's line-up for a series of shows celebrating the 30th anniversary of their debut full-length album, Carne Humana. Currently, these musical works are recognized worldwide and included in International Marimba Festivals. The Argentinean percussionist Ángel Frette was one of the performers who spread the music written in our country for this instrument. 
This same phenomenon repeats in Argentina, due to other factors, such as the lack and scarcity of accessibility to the materials of this international repertoire. On the other hand, there is a concern to create an original marimba repertoire that emerged in countries such as the United States, France and Japan in the middle of the 20th century. The composers, who already come with a solid academic education, expand their ideas towards new experimentations in a search for their aesthetics.
In Argentina -towards the end of the 20th century- a more globalized musical panorama is beginning to be perceived.
0 kommentar(er)
